May 18, 2016
My last post lauded the American Institute of Architects for its long overdue recognition of Denise Scott Brown, who, with her husband Robert Venturi, will receive its Gold Medal this week in Philadelphia. I trust that when the honor comes the Institute will find the right words to celebrate this extraordinary pair.
Unfortunately the official journal of the AIA, Architect magazine, could do no better than print a few pages of doodles and paragraph-long reminiscences of the architects in its May/June issue. Though the magazine’s cover suggested extensive coverage of a long career, most of the editorial content went to other architects receiving design, planning and interior honors. True, there are a lot of these smaller prizes, but where should the body focus its praise? On upstarts? It is doubtful that Louis I. Kahn received so little coverage when his medal was awarded.
Indeed, the “tribute” provided to Bob and Denise was trivial in comparison to their historic importance to the development of American architecture and urbanism. No scholar was invited to write about their role in the 1960s critiques of International Style modernism. No contemporary master, such as Frank Gehry, offered a summary of their impact on his work or that of others. No journalist took the time to consider the monumental body of work produced by these scholar architects during their most productive years.
The myopia that has infected our profession during the past twenty-odd years has resulted in pervasive ignorance much like that shown by the American electorate in its support of a buffoon in the upcoming presidential contest. I doubt that the editorial staff of Architect had any idea whom to approach for a truly enlightening, newsworthy piece on these world changing designers. They even wasted the talents of Witold Rybczynski on a review of one of the worst concert halls ever designed–a new bauble in Paris. Three text pages in one of the thickest issues published in past five years? I expected better.