A Virtuoso for Our Time
November 29, 2016
Classical music has been buffeted by the same economic and social changes that have recast the rest of music industry–streaming services, YouTube, falling CD sales, smaller recording companies, etc. There have nevertheless been reliable conductors, orchestras and virtuosos with enough star power to sell out large venues throughout the world. Yo Yo Ma, Lang Lang, James Levine, Joshua Bell, and Dmitri Hvorostovsky are a few of the artists in the top echelon today. Some would argue that these virtuosos are not the equal of past giants like Segovia, Horowitz, or Heifetz, but most critics would disagree. There are magnificent performers in nearly every category who now can record their feats in high definition, digital formats for posterity to judge their greatness.
No contemporary virtuoso has changed the public’s view of his instrument so profoundly as Jordi Savall, the Catalan master of the viola da gamba, an instrument barely heard fifty years ago on any stage. A student of the great German early music master, August Wenzinger, Savall first made his mark with a movie soundtrack to the French film on the life of Marin Marais. His rendering of the haunting melodies of Marais’ gamba pieces was so powerful that many outside the world of early music sought out Savall’s recordings. He formed an ensemble, Hesperion XX, that could tour and record obscure repertoire from Medieval, Renaissance and Baroque composers, and vernacular sources.
That was over thirty years ago. Today Savall is recognized throughout the world as a conductor, soloist, record producer, scholar, and media star. His recordings, often based on themes or regional traditions, are top sellers and crossover hits. His performances are sold out in virtually ever city around the globe. If you haven’t heard him, take the time to view this brief YouTube video of Greensleeves. I think you’ll be convinced that this artist transcends labels. He is the world’s greatest instrumental virtuoso, and a fitting exemplar of our multi-cultural, multi-dimensional music scene.