January 30, 2017
Let’s look at what our current president thinks he is presiding over, because it doesn’t resemble what most of us would recognize as the country we reside in.
- It has the demographics of United States in the 1950s, when our president was growing up: majority white, middle class, and prosperous in contrast to much of the world, which is recovering from a terrible war.
- Canada, Mexico, Central and South America are insignificant, off the radar screen. They aren’t part of America.
- There are heroes and villains, and things are black and white.
- And speaking of black and white: blacks are all but invisible: segregation is the rule that people of color live by, and suffer under. Racism is tolerated in both the north and the south, though in different forms.
- America is an equal opportunity society, where hard work matters and many in the majority are able to afford college, a house, and a nice vacation.
- The working class is a viable force in labor and politics. Politicians respect labor leaders and must negotiate serious contracts for workers in most industrial markets.
- Congress works according to political machines that distribute power among elite groups like banks, businesses, industry, and real estate, as long as alliances are maintained, often with money under the table.
- The media is a quiet, silent partner in maintaining this fictional order, reporting on what elite leaders do and keeping silent about their moral shortcomings.
- American industry stands atop the pyramid of world production and quality; it has no serious competition. The same is true with the military, agriculture, banking, education, and culture.
- America is an imperialist superpower, with no threats to its hegemony. Even the USSR is puny by comparison (though many U.S. politician fear its leaders).
Our president believes in this fictional version of the country we live in. No wonder he can’t govern or recognize the challenges we face. His press conferences are part of this fake universe, as are his fiats and executive orders. He deals with a fake Congress and a fake judiciary. The media are presenting an alternate truth, and one that he can’t tolerate. Even the earth isn’t cooperating: fake temperatures are a lot cooler than those we feel every day. Wouldn’t it be wonderful if we all could live in fake America? It would be fabulous, great, awesome, huge.
September 3, 2014
Nanu nanu. Living with mental illness is a little like living on another planet, as many of us who suffer from depression know. Nobody understands what we are going through, or at least they don’t seem to get it except when something terrible happens. Like a suicide, successful or not. As Andrew Solomon has shown in The Noonday Demon, all depressed people think seriously about suicide. If they are treated, most don’t succeed at offing themselves. Artists still seem to live on edge of the abyss. The demon often takes over. E.T. can’t phone home because there’s nobody there.
Sylvia Plath chronicled her path to oblivion, and a few other artists have created similar poetic if harrowing memoirs of depression. Robin Williams spoke very little about his illness, and often made light of his demons–drugs, alcohol, sex, etc. His manic humor was extraterrestrial and at times incomprehensible, at least to those who don’t perform to get rid of their insecure sense of self. When you don’t have a solid sense of who you are it is easier to become someone else. Few humans have had the gift/curse of multiple personality imaginations like Robin Williams. Genius often comes close to madness, and this was surely a case in which the two were Jekyll and Hyde.
Since I grew up watching Robin Williams and often saw my myself in his characters, I feel a deep sense of loss now that he is gone. I don’t, however, feel surprised or mystified by his suicide. All depressed people know a little about what he faced every day. Knowing that he got up and went to work, entertaining millions as no one else can ever do, inspires me to do what I can with my art. As Tolstoy said, “I would rather be the holy fool than any other human being.” Rest in peace, Robin.
March 15, 2014
Today’s New York Times put America’s biggest problem in the starkest of terms: naked truth; moral turpitude; the kind of language used by the far right to describe just about anything it deems distasteful.
According to Charles M. Blow, the income chasm is “an obscenity” that is pulling the United States downward and threatening the quality of life of nearly every American. All, that is, except the .01 percent who control over 10% of the country’s income, and the 10% who can claim a 48% share. Meanwhile, over 17% of Americans had trouble putting food on their tables last year. Millions struggled to maintain a “middle class” standard of living.
The U.S. now ranks number one in income inequality worldwide. I remember when our nation stood for fairness, opportunity, and self-sufficiency for all. I grew up during the 1960s, when most Americans believed in the common good, and aspired to the Americana Dream. Nearly everything in popular culture then was positive, future oriented, and confident.
Today popular culture is rife with the metaphors of greed, self-aggrandizement, and violent competition. When the American Dream is invoked, only the rich qualify for inclusion. Television is awash in reality contests that glorify money, fame, and screwing the little people in a race to the top.
The cultural landscape is changing dramatically and many Americans seem content to stand by while their core values erode. In so doing they open the doors to further exploitation by an oligarchy that hides behind prurient, conservative institutions such as the Heartland Institute and the Heritage Foundation. Remember that though Spanish Inquisition was an organ of the Roman Catholic Church, its obscenities were patent.
We can stop this downward slide toward poverty and cultural bankruptcy. But first we need to change our complacency toward ethical standards, truth telling, and the Golden Rule. These things make equality possible.
November 14, 2013
While the AIA struggles to offer the public a better understanding of what architects do, the media continues to portray us as “starchitects” who jet about the world dropping works of “art” into cities with price tags that could bankrupt most small countries.
A recent example aired on the TV program “Parenthood,” one that I watch quite often because it seems to track with my life and world view. In the recent episode Joel, the contractor husband of one of the sibs, has to confront his architect/client/collaborator about some work that he’s been forced to do for free. Cost are mounting, and his business is going to suffer. It seems that the culprit for these over-runs is none other than his glamorous, artsy, and apparently wealthy architect, a woman right out of Central Casting who could probably steal Brad Pitt from Angelina if she put her mind to it (or, shall I say, body).
This architect can’t seem to make up her mind about anything she’s designed, and continues to change things as buildings are going up. Were she not also the developer, Joel could simply complain and refuse to do the work. Since he is “going to make a killing” down the road, according to his beautiful boss, he should just shut up and take the hit.
This kind of portrayal hurts the image of both architects and contractors. We are not pushovers who can’t say no to clients, nor are we irresponsible “artists” who disregard economic realities when designing our housing, schools, hospitals and other critical buildings in very difficult environment. We are pragmatic, professional, and usually highly ethical members of society who want to do the best possible work.
Moreover, we are proud enough of ourselves to protest when these kinds of portrayals distort the truth so blithely. Shame on you, NBC, and on the producers of this generally high quality show.