February 13, 2017
I won’t make this about weak Democrats or evil Republicans, or even about Trumpism. As an architect and someone concerned about the environment, nothing could be more obvious to me than the need to rebuild America’s infrastructure, manufacturing capacity, educational system, and financial regulations to benefit everyone in our society. Could our leaders fashion a positive agenda from these pressing needs? Of course, and here’s a start:
- Create an infrastructure bank and tax breaks for corporations in the building industry to get our infrastructure back to where it was in the 1950s–the best in the world.
- Empower architects and engineers by funding the repair and rebuilding of government owned buildings, highways, railways, and other infrastructure, using taxpayer dollars, not private capital.
- Underwrite education in design, building, and technology to train the people to do these kinds of jobs.
- Create apprenticeships for inner city youth and young adults in the building trades, providing good jobs for years to come.
- Create manufacturing enterprise zones in rust belt cities like Detroit, Youngstown, Gary, East St. Louis, and Camden, NJ and invite tech companies to relocate in these towns.
- Rewrite the tax code to create incentives for companies to keep their manufacturing in U.S. cities in need of a boost.
- Direct the education department to address the gaps on high school STEM literacy.
- Get secondary schools back into vocational education so that young adults gain hand skills in industry and building trades. Use internships and on-the-job training in partnership with the corporate world.
- Push colleges and universities to broaden their scope to include more training in trades and industry, including agriculture.
- Create incentives for banks to lend money for infrastructure and construction, and dissuade them from pushing risky hedge funds and junk bonds. Enact strict regulations that force Wall Street to support the manufacturing and construction sectors.
Why don’t our political leaders–in Congress, the White House, the states and municipalities–talk about solving concrete problems like these? It’s time to ask the right questions and demand persuasive answers.
February 9, 2017
When Lynn joined Friday Architects, the firm was rising to become a force in Philadelphia’s design community. Their offices, on 22nd Street, occupied the second (top) floor of a commercial building at the corner of Chestnut Street. The partners were leaders in the local AIA and often had parties for all the nearby firms. As she was raised in a dysfunctional family, Lynn found the atmosphere welcoming, and quickly became a trusted employee. There were other Yalies working at leading firms, and Lynn joined a vibrant group of young designers in helping to shape the city’s architecture scene.
So close was the design community in Center City that when work slacked off at one firm, another might take on its young designers for a short time until things got better. Lynn thus had the opportunity to work for a short period at Venturi & Rauch (later Venturi, Rauch and Scott Brown) on Pine Street. The nation’s Bicentennial was approaching, and several leading architects were collaborating on an exposition to coincide with celebrations in the city.
When I came from Yale to study architecture at Penn in the fall of 1975, Lynn began working on drawings for a show of Friday’s work for the following year. When it opened the national press took notice, giving the firm a boost in prestige beyond the local market. I recall a lecture by David Slovic and Don Matzkin at Penn that greatly impressed me. During my third year in the master’s program Friday offered a studio, shared with Robert A.M. Stern, in which Lynn was the faculty critic. I was lucky enough to get into this popular class, and that is where I met my future wife.
After I finished my thesis in 1978 Lynn and I began dating. We lived together in Powelton Village while she continued at Friday, and I joined the staff at Venturi & Rauch. The friendships from those years sustained us, even after we moved to New York in 1980 so that I could fulfill a dream of working in the city. That year we were married in Philadelphia, at University Lutheran Church of the Incarnation.
Lynn had a successful career in New York, working first at Gwathmey Siegel Associates and later at Kliment & Halsband. I think it was significant that she worked for three husband-wife partnerships during her career. Robert Kliment became a mentor for Lynn, and she was given responsibility for several major projects. She often said that she did her best work while in their studio.
In 1982 we moved to Houston. I became an assistant professor at Rice, and Lynn was quickly hired as an adjunct critic there as well. Leslie Barry Davidson, a prominent Houston architect, saw Lynn’s talents and hired her as an associate. She also became active in the Rice Design Alliance and the local design community. Many female architecture students at Rice found her to be an inspiration, and her studio teaching was always strong. As married faculty, we led two sophomore class trips during spring terms, one to Southern California, the other to London.
Sarah was born at the Rice Medical center in 1985, just as we left for New York, where I got a job teaching preservation at Columbia. Lynn and I chose to open a joint practice, and we were successful in getting two large residential commissions. During our years in New Jersey we worked effectively as a team, later moving to Hope, in Warren County. Unfortunately, following our relocation Lynn became seriously ill with depression, probably a condition inherited from her father. Her mental illness eventually contributed to our separation and later divorce.
Lynn continued to practice architecture sporadically after 1995, while raising Sarah in their small rural community. She fought through two bouts with lung cancer, and continued to struggle with psychological challenges as well. Eventually her health deteriorated so markedly that she was compelled to live with her brother, John, in Williamsburg, Virginia. John as his wife Beth nursed her during her last years, through a period of dementia, until her passing in January.
Lynn traversed a challenging path as a woman architect in the late twentieth century. She won the respect and admiration of many peers, particularly Allan Greenberg, Frances Halsband, Arlene Matzkin, Leslie Davidson, Peter Papademetriou, Robert Stern, and Susanna Torre. Her students and colleagues cherish their memories of a gentle but fiercely intelligent woman who made an impact in her profession.
December 9, 2016
I read with sadness the news that Dimitri Hvorostovsky, one of the world’s greatest singers, is leaving the opera stage due to illness. He will be missed by everyone in the classical music world. We pray for his recovery from brain cancer. He will continue to sing concerts as long as his health allows, but clearly he is deteriorating physically. His recordings of the Verdi baritone roles are unmatched, and he has been a consistent champion of Russian repertoire, both in opera and lieder.
October 27, 2016
Look for our recent renovation project at Red Gate, the former Seth Thomas estate in New Vernon in Design New Jersey. http://www.designnewjersey.com/features/index.cfm?id=340
October 25, 2016
The architectural press in New York has been abuzz with news of Andrew Cuomo’s plan to create a new Penn Station in the old Farley Post Office Building on Eighth Avenue. I haven’t weighed in on this yet, wanting to see where others have stood. My colleague Witold Rybszynski likes what he sees in both the post office renovation and the add-on plan to remake Madison Square Garden into another transit station. Michael Kimmelman has also made his positive opinions known in the New York Times.
Preservationists like me still lament the loss of the greatest train station ever built in America, but we can’t bring back the dead. Buildings do have lives, and McKim’s masterpiece can’t be revived in its entirety. Parts of the old station remain underground, however, and it makes sense to re-use and polish them up when the new stations are built.
The post office is a good Beaux Arts building, also by McKim, Mead & White. The published renovation plans are plain vanilla and will impress only in comparison to the horrible underground station they will replace. New York State officials declined to hire a great classical architect like Allan Greenberg or Robert Stern to make the “alterations” to the building. That is a pity, but it is to be expected from cautious public officials. At least it appears that developers may have some leeway in making their own decisions.
The prospect of using part of Madison Square Garden is also intriguing. Simply tearing off the roof and filling the void doesn’t strike me as very clever, especially with the post office facing the garden on Eighth Avenue. What about another good classical building that creates a foil? There are also plans afoot with the Port Authority to create a new bus station with a tie-in to the Lincoln Tunnel, so it makes sense for the city to coordinate both mega-projects.
During the Bloomberg administration a number of high profile projects were floated, some of which came to fruition. The best was the High Line; the worst was Freedom Tower. It looks as if the city will have a chance to surpass those developments in the next decades. It should look carefully at the best buildings built during the Progressive Era, most of which were classical, and not make the kind of mistake it made with the current Madison Square Garden, one of the worst buildings in New York.
September 16, 2016
Langston Hughes remains one of the true heroes of American literature, a black poet who remained in Harlem after many in its “Renaissance” had decamped for Europe or returned to the south. The house in which he lived for more than twenty years remains standing, though vacant, on East 127th Street.
Though the building became a New York City Landmark in 1981, it now faces an uncertain future, since the owner has left it poorly maintained after unsuccessful attempts to sell it for over $1 million. According to the New York Times, poet Renée Watson has created a non-profit group which plans to rent and eventually buy the property, hoping to make it a cultural center and incubator for young writers. Her efforts, though heroic, may not succeed because preservation is becoming “out of reach” for many New Yorkers, according to experts quoted in today’s story by reporter Samantha Schmidt.
It’s a familiar story, not only reminding us of the struggle Hughes and his colleagues endured in Harlem during the early twentieth century, but also of countless efforts to save properties associated with marginalized or minority histories throughout America. Watson said that she felt like “our stories are being erased,” even if unintentionally, by the wheels of progress. In New York, as this blog has consistently shown, wealth and gentrification have threatened or destroyed many potential landmark properties, especially during the past thirty years.
Rather than lamenting their loss, our best hope is to find effective economic strategies for the reuse of these historic sites, eschewing the now tired process of embalming them and creating museums that cannot attract a paying clientele.
May 18, 2016
My last post lauded the American Institute of Architects for its long overdue recognition of Denise Scott Brown, who, with her husband Robert Venturi, will receive its Gold Medal this week in Philadelphia. I trust that when the honor comes the Institute will find the right words to celebrate this extraordinary pair.
Unfortunately the official journal of the AIA, Architect magazine, could do no better than print a few pages of doodles and paragraph-long reminiscences of the architects in its May/June issue. Though the magazine’s cover suggested extensive coverage of a long career, most of the editorial content went to other architects receiving design, planning and interior honors. True, there are a lot of these smaller prizes, but where should the body focus its praise? On upstarts? It is doubtful that Louis I. Kahn received so little coverage when his medal was awarded.
Indeed, the “tribute” provided to Bob and Denise was trivial in comparison to their historic importance to the development of American architecture and urbanism. No scholar was invited to write about their role in the 1960s critiques of International Style modernism. No contemporary master, such as Frank Gehry, offered a summary of their impact on his work or that of others. No journalist took the time to consider the monumental body of work produced by these scholar architects during their most productive years.
The myopia that has infected our profession during the past twenty-odd years has resulted in pervasive ignorance much like that shown by the American electorate in its support of a buffoon in the upcoming presidential contest. I doubt that the editorial staff of Architect had any idea whom to approach for a truly enlightening, newsworthy piece on these world changing designers. They even wasted the talents of Witold Rybczynski on a review of one of the worst concert halls ever designed–a new bauble in Paris. Three text pages in one of the thickest issues published in past five years? I expected better.
March 17, 2016
Well, Yale had no right to be in the NCAA tournament, right? Wrong. The Bulldogs beat highly regarded Baylor handily in the First Round. Next opponent? Duke. They are a number 4 seed. Look out Blue Devils. We smell blood.
May 27, 2015
Recent news from Syria has calmed the hysteria among antiquarians and archaeologists over the preservation of one of the most significant of all ancient cities: Palmyra. Unfortunately, such quiet makes it easier for citizens of rich nations like the U.S. to insist that the conflict in the Middle East is “a local problem” that should be solved by those in the regions besieged by Islamic terrorists like ISIS.
Nothing could be farther from the truth, of course. Western nations largely created the current civil conflicts in Iraq, Turkey, Syria, Lebanon, and Yemen. Now that some of the most precious ancient heritage sites are threatened it is even more urgent that the richest countries move to stop the humanitarian and cultural disaster that is festering in areas that still contain artifacts from the beginnings of civilization as we know it. Palmyra’s ruins have inspired humans for almost a thousand years; we should keep them safe for another thousand.
May 12, 2015
Steven Schwarzman has his name all over the New York Public Library–five times in fact. He provided $100 million for a “facelift” and gut renovation of the Fifth Avenue building and was rewarded with naming rights for a building that used to be named for its real benefactors–Astor, Tilden and Lenox. He nearly destroyed one of America’s most treasured landmarks.
Now the multi-billionaire has his sights on another Carrere and Hastings masterpiece, the Bicentennial Group at Yale (his alma mater and mine). One of the most beloved buildings on campus, Freshman Commons has needed renovation for some time, and Woolsey Hall could use a fresh coat of paint inside. Bravo for Yale in seeking donations for this work.
Unfortunately, Mr. Schwarzman doesn’t want to lend money for renovations. He wants to see “new” architecture blotting out the old. And you can be sure that if his pet architect, Norman Foster, gets his hands on this Yale landmark, it won’t look much like it did when designed in 1901. As a glitzy new performing arts center (not a bad idea in principle) the buildings will have high tech glass boxes inside Beaux Arts interiors, a clash that nobody will notice until the time comes to restore them in 50 years. At that point they will be returned to their 1901 glory, at enormous expense.
Yale has succumbed to cultural blackmail under the thumb of oligarchs like Schwarzman before–as in its recently completed Foster School of Organization and Management. We expect such things of a business school, but hardly of one of the country’s finest schools for the performing arts. When it restored the Lou Kahn Art Gallery and the Paul Rudolph architecture building, Yale was scrupulous in preserving great architecture. Let us hope it follows this precedent with an equally great building before 2020.