April 5, 2017
Last month the Driehaus Foundation in Chicago awarded its coveted $100,000 annual prize for traditional architecture to an English architect who should be familiar to everyone. No, it wasn’t a posthumous award to an 18th century Scottish designer of buildings, furniture and decorative art. This Robert Adam is very much alive, and has been practicing in London for decades.
I met Robert about 20 years ago in New York, and have followed his career with interest since then. He is an affable, lively and intelligent man with wide-ranging interests beyond architecture and the environment. He is also active in the RIBA, pressing for more recognition of traditional architecture in Europe. No one could be more deserving of the prestigious Driehaus Prize.
The foundation also gives its Henry Hope Reed Award to a distinguished non-architect. This year that honor went (posthumously) to one of the giants of American letters: James S. Ackerman of Harvard. During his long career Ackerman virtually defined the architectural history profession for fellow Americans. He wrote books on Palladio, Michelangelo and the Villa, and hundreds of influential articles on many subjects.
These two men have inspired classicists and non-classicists with their humanism and broad world view. If the AIA and other establishment organizations had the same pluralistic outlook we might have a positive discourse on the future of the design professions; yet, we remain mired in a bog of misunderstanding about the future of “modernism” and the avant-garde.